Charmaine School of Dance
In the sixth grade, with my best friend Kathy Kos, I took dancing lessons at Charmaine School of Dance. Here's a Google shot of the block; the dancing school was upstairs, right in the front. That's the corner of White Street and Sumner Avenue in Springfield, Massachusetts. I'm talking 1959.
Charmaine was a blonde with big hair. She taught us four dances: the waltz, the fox trot, the cha cha, and the lindy hop. The waltz was easy, the fox trot I totally didn't get, the lindy hop terrified me. I did like the cha cha. One, two, onetwothree. One, two, onetwothree. One, two, onetwothree. Pretty easy.
First we were separated into two groups--boys and girls--and we practiced the basic steps. The cha cha was just a line, back and forth, back and forth. Then we had to partner up and dance around in a circle, mix it up. I hated that part. I didn't know anyone except Kathy, nobody talked to me, and everyone had sweaty palms and smelled like fear.
My first record was "Diana" by Paul Anka: a cha cha. I bought it the following year, in 1960. I carried it around with me and played it endlessly. When I played it, I did the cha cha by myself, as though following footprints on the floor. I can see myself now, in the finished basement at my Aunt Jean and Uncle Mickey's, playing that song and doing the cha cha. Back and forth and back and forth on a beautiful fur rug my uncle had brought back from one of his overseas trips. Wasn't I cool!
That was the room where my cousin Michael was to die, 45 years later, alone, while watching TV. I'm sure there's plenty more history in that room. But for me, it was only Paul Anka and the cha cha cha.
Charmaine was a blonde with big hair. She taught us four dances: the waltz, the fox trot, the cha cha, and the lindy hop. The waltz was easy, the fox trot I totally didn't get, the lindy hop terrified me. I did like the cha cha. One, two, onetwothree. One, two, onetwothree. One, two, onetwothree. Pretty easy.
First we were separated into two groups--boys and girls--and we practiced the basic steps. The cha cha was just a line, back and forth, back and forth. Then we had to partner up and dance around in a circle, mix it up. I hated that part. I didn't know anyone except Kathy, nobody talked to me, and everyone had sweaty palms and smelled like fear.
My first record was "Diana" by Paul Anka: a cha cha. I bought it the following year, in 1960. I carried it around with me and played it endlessly. When I played it, I did the cha cha by myself, as though following footprints on the floor. I can see myself now, in the finished basement at my Aunt Jean and Uncle Mickey's, playing that song and doing the cha cha. Back and forth and back and forth on a beautiful fur rug my uncle had brought back from one of his overseas trips. Wasn't I cool!
That was the room where my cousin Michael was to die, 45 years later, alone, while watching TV. I'm sure there's plenty more history in that room. But for me, it was only Paul Anka and the cha cha cha.
Labels: Springfield